DAVID SATTERFIELD.
Creative Director, Copy Experiential, film, brand voice Richmond, VA / remote or relocating

I make advertising feel less like advertising.

Fourteen years of finding the human truth in categories that supposedly do not have one. An ETF. Workforce management software. A credit score. A fake Christmas tree. I don’t believe in boring categories. There’s opportunity everywhere.

Pen and ink drawing of a sailing ship run aground in the canopy of an enormous tree, with a rope ladder down the trunk and three astonished figures at the base consulting a map

Built at

Crispin Porter + Bogusky / Made Movement / EVB / Swift+Possible / VaynerMedia / Zambezi / 160over90

Selected work

The Brief. The Idea.

The Invesco QQQ Innovation Arena at the NCAA Final Four
ClientInvesco QQQ
Agency160over90
RoleACD, Copy
Year2024 + 2025

Innovation Arena

Let me show you →

The brief: the Official ETF of March Madness wanted to introduce itself to fans. “Maybe with a social post?”

We built an AI-powered arena that let fans feel what it’s like to play in March Madness.

N.B.Centerpiece of the sponsorship, Men's and Women's Final Fours, two years running.

A pair of purposely funny ones

More work

UKG

Senior Copywriter
Zambezi / 2021

The brief: launch a brand campaign for workforce management software.

When work actually works, it is beautiful. So we treated it like art.

ScopeA film and print campaign, shot in Mexico City with the team directing over video.

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Samsung TV

Senior Copywriter, sole writer
EVB / 2014

The brief: the World Cup is in Brazil, everyone is watching it on television, and Sony owns the sponsorship.

So Samsung sponsored the fans instead, and paid one of them to watch television for a year.

ScopeTwo films, a global contest, ten finalists flown to Rio. Sole writer on all of it.

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9 Lives

Senior Copywriter, then the voice of Morris
EVB / 2014 to 2019

The brief: how do we reintroduce a spokescat who hasn’t been relevant since Nixon was in office?

You strap wearable tech to his face, and let the internet drive.

AwardsFWA of the Day and Adweek Ad of the Day. I cut the scratch track and never gave it back.

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Coke Zero

Creative intern
Crispin Porter + Bogusky / 2011, produced 2012

The brief: what should Coke Zero do for the Super Bowl?

Real Coke taste and zero sugar gets you through the game. It should get you through the day after it too.

Fun factWon an internal jump ball against twenty-some creatives. I was back at school by the time it was produced.

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TBS Originals

Senior Copywriter, then director and producer
VaynerMedia / 2017 to 2019

The brief: keep the people who already found these comedies from drifting off mid-season. Oh, and there is almost no money.

A live-voted fighting game starring the cast, and an after-show hosted by dolls.

My roleBuilt a writers room out of juniors to make it. Directed, produced and co-edited.

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Berkshire Hathaway HomeServices

Lead writer
VaynerMedia / 2019

The brief: people hear Berkshire Hathaway and think of one man in Omaha.

Nobody reads the second half of HomeServices. So I split it in two and made it mean something.

What it had to doA voice system built so forty thousand agents could articulate what they do differently.

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What never ran

The last four years

Every creative has a graveyard. Mine is filled with famous names, thanks to pitching celebrity and IP partnerships. Those die for reasons completely unrelated to the quality of the idea. So I can’t tell you the names. But I can tell you what I was working on.

A talent-fronted global platform

Lead creative on a platform built around a public figure for a global brand. I ran it: built the deck, wrangled the designers, and presented it solo alongside our strategy director to our company president and the talent’s representation.

Approved in the room. Killed by an external event, five months in.

A partnership we talked the client out of

At their request, pitched a partnership concept to a globally recognized name’s representation over several months. The opportunity carried real reputational risk for them.

We recommended they pass. They passed.

A consumer brand that arrived and left

Fast-turn social built by working directly with a celebrity's own team, keeping them engaged and shooting on a schedule that never slowed down.

Ran, briefly. The brand collapsed underneath it.

A confidential IP program

Four months of confidential development with one other creative, brought in by an agent to build a partnership program around a new release. I presented four concepts directly to the principal and their literary agent.

They chose mine. Proposal drafted. Still in the works.

About

Who is writing this

Pen and ink self-portrait of David Satterfield at a table with a group of invented characters, including a cat in sunglasses on his lap
Self-portrait, with company

Hi there. I’ve spent over a decade trying to make advertising feel less like advertising.

I write fast, and I am constitutionally incapable of underdelivering. The client asked for two ideas? We’re going to be talking about ten. Kill your darlings, they say. Sure. But first, have a lot of darlings. And when one of them is “The One,” do everything in your power to care for it through production, legal, and the media plan, to make sure it arrives in the world as wonderful as you imagined it could be.

Here’s my unfair advantage. I used to be a lawyer. Went to UVA law school, then practiced in the years right after the Great Recession. I loved law school. I did not love being a lawyer. And when I’d come home, tired, overworked, and trying not to think about the new gas bill, I would turn on the TV. And I started wondering, as I watched anonymous ads outlining the awesome benefits of drinking brown water, what could appeal to me? I think about that version of me every time a new brief crosses my desk.

So I like the part of the job most people find tedious. Reading the brief in and out. Probing it. Learning how the product actually works, all the way down. Most of what’s above came out of a fact somebody nearly skipped.

The best part of the last few years has been other writers. Junior teams at three agencies whose work I took through to CD review, and a writers room I built at VaynerMedia out of juniors and a few strategists who wanted to write. Watching someone hear their own line land for the first time is one of the most fun things this job has to offer. I’d like to be doing more of it.

Outside of that I’m a husband and a father, I draw in pen and ink (that’s my table up there, and there’s more at instagram.com/davidsatterfield). I watch more foreign and independent film than is strictly reasonable, and I have an unembarrassed fondness for ultra-low-budget found footage horror movies. And there’s a novel.

Level
ACD to CD, copy-led. I can run the room and still write the line.
Leading
Ran junior teams through to CD review at three agencies. Built a writers room at VaynerMedia to solve a volume problem on TBS originals.
Presenting
Have presented solo to company presidents, talent representation, and the principals themselves.
Range
Experiential and phygital builds, brand film, social, voice, and B2B nobody wanted.
Trained
M.S., VCU Brandcenter. J.D., UVA Law, used approximately twice a year.
Based
Richmond, Virginia. Fully remote, but willing to relocate.
Also
Pen and ink illustration. A novel in progress. International cinema. Found footage horror films (I have a problem).

Available now

Got a category everyone says is boring? Want an angle others are missing? Wondering if your creative actually appeals to human beings?

David Satterfield / Creative Director, Copy

Richmond, VA